Kazimir Malevich
1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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Kazimir Malevich Mower oil painting


Mower
Mower, 1930
Painting ID::  59729
Kazimir Malevich
Mower
Mower, 1930
   
   
     

Kazimir Malevich Running man oil painting


Running man
Running man (Holodomor?), 1932
Painting ID::  59730
Kazimir Malevich
Running man
Running man (Holodomor?), 1932
   
   
     

Kazimir Malevich red house oil painting


red house
1932, oil on canvas 63x55. state russian museum ,leningrad. se
Painting ID::  68711
Kazimir Malevich
red house
1932, oil on canvas 63x55. state russian museum ,leningrad. se
   
   
     

Kazimir Malevich trees oil painting


trees
1904, oil 31x19 collection of george costakis, athens se
Painting ID::  68712
Kazimir Malevich
trees
1904, oil 31x19 collection of george costakis, athens se
   
   
     

Kazimir Malevich suprematism oil painting


suprematism
oil on canvas 80.2x80.3 tate gallery, london se
Painting ID::  68713
Kazimir Malevich
suprematism
oil on canvas 80.2x80.3 tate gallery, london se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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